A Parisienne in Chicago: Impressions of the World’s Columbian Exposition

During the summer of 1892, a twenty eight year old French school teacher traveled to America with her husband, who was contracted to work on his country’s exhibits at the World’s Columbian Exposition being held in Chicago in 1893. Monsieur and Madame Grandin spent a total of ten months in America, and visited New York, Niagara Falls, Philadelphia, Milwaukee (“sightseeing” during the great fire there), and Washington D.C. in addition to their extended stay in Chicago. Throughout her journey, Madame Grandin took notes that formed the basis for a travel memoir which she later published in France. Now we are able to read Madame Grandin’s account in English.

As the translator Mary Beth Raycraft points out, Madame Grandin’s perception of what she encountered in America was shaped by her experience as a citizen of Paris. For example, while Americans were awed by the newly invented Ferris wheel which occupied the center of the Chicago fair’s midway and could hold two thousand passengers, Grandin saw it as “a failed attempt to upstage the Eiffel Tower of the (last previous World’s Fair) Paris 1889 exhibition.”

Throughout her notes, Madame Grandin compares the two cultures, noting differences in such diverse topics as marrying (love versus a dowry), child-rearing methods (rewarding versus punishment), art (“in general..not the natural tendency of [America]”), and construction methods (“In America, saving time is more important than saving lives.”)

She also found humor in comparing the two cultures. For example, she says:

When you take the train (in Chicago), you can buy an insurance ticket in case a catastrophe interrupts the trip. All of the men get insured and their wives count on it. In France, all the husbands count on the death of their in-laws.

It is a combination of Grandin’s wit, her passion for her subject matter, and those very subjects that made A Parisienne in Chicago captivating. As Arnold Lewis points out in his Introduction to Chicago, the account “is ultimately a coming-of-age, or, more accurately, a coming-to-realization, story.”

This edition of A Parisienne in Chicago is so much more than the translation of Madame Grandin’s material. Mary Beth Raycraft has written a fascinating introduction that you must read to get maximum enjoyment from the book. (I found even the informative footnotes to Grandin’s text very interesting.) Professor Raycraft’s inter-continental research provides not only information on how other French travel writers of the day perceived America, but also a personal back story that brings Madame Grandin to life and provides proof of her “coming-of-realization”. Tomorrow, I’ll be publishing an article by Professor Raycraft explaining how she found this intriguing material.

This book is a “must-read” for history enthusiasts and travel buffs. In addition, I recommend that you read the last sub-heading in the introduction, “Madame Grandin’s Life after Chicago”, after you’ve read the rest of the book. By doing this, you will find there is enough “plot” to satisfy even fans of historical fiction (even though the account is non-fiction).

There are a score of black and white illustrations such as the one below (“Bird’s-Eye View of the World’s Columbian Exposition, Chicago 1893”) included in the book. You can find many of these images on the book’s web-site. The publisher’s site has a list of the blogs that are hosting this blog tour in April.

Although I received my complimentary copy of this charming book from the publisher, that has not influenced my review in any way.